SELECTED CRITICISM

Reimagined for a new era, boleros become songs of gendered rebellion, Isabelia Herrera

The Super Bowl halftime show was a mixture of respectability and reckoning, Harmony Holiday

How Cindy Lee became the music world's underground success story of 2024, Meaghan Garvey

In 2022, Bad Bunny made pop stardom a subversive act, Isabelia Herrera

Revolutionary Fun: Why we can’t stop talking about Beyoncé’s ‘Renaissance,’ Ann Powers, Jason King, Latesha Harris

In Ethel Cain’s music, hell is a place on Earth, Meaghan Garvey

On 'Scarlet,' Doja Cat finds power harnessing the darkness of online vitriol, Jason King