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Hazel Cills

  • About
  • Writing
    • Features & Essays
    • Profiles & Interviews
    • On Music
  • Editing
    • Features
    • Criticism
  • Appearances
  • Blog

Selected Criticism

Reimagined for a new era, boleros become songs of gendered rebellion, Isabelia Herrera

The Super Bowl halftime show was a mixture of respectability and reckoning, Harmony Holiday

The essential listening guide to Bruce Springsteen's 'Tracks II: The Lost Albums', Caryn Rose

How Cindy Lee became the music world's underground success story of 2024, Meaghan Garvey

In 2022, Bad Bunny made pop stardom a subversive act, Isabelia Herrera

Revolutionary Fun: Why we can’t stop talking about Beyoncé’s ‘Renaissance,’ Ann Powers, Jason King, Latesha Harris

In Ethel Cain’s music, hell is a place on Earth, Meaghan Garvey

On 'Scarlet,' Doja Cat finds power harnessing the darkness of online vitriol, Jason King